Le Nozze di Figaro - Count Almaviva
Nov
24
3:00 PM15:00

Le Nozze di Figaro - Count Almaviva

Jarrett sings the role of Il Counte d’Almaviva

Il conte d'Almaviva Baritono Jarrett Ott

La contessa d'Almaviva Soprano Kirsten MacKinnon

Figaro Baritono Christian Federici

Susanna Soprano Martina Russomanno

Cherubino Mezzosoprano Siphokazi Molteno (Regio Ensemble)

Marcellina Mezzosoprano Chiara Tirotta

Bartolo Basso Giovanni Romeo

Basilio Tenore Juan José Medina (Regio Ensemble)

Don Curzio Tenore Cristiano Olivieri

Antonio Baritono Janusz Nosek (Regio Ensemble)

Barbarina Soprano Albina Tonkikh (Regio Ensemble)

Leonardo Sini direttore d'orchestra

Emilio Sagi regia

Daniel Bianco scene

Renata Schussheim costumi

Eduardo Bravo luci

Nuria Castejon coreografia

Ulisse Trabacchin maestro del coro

Orchestra e Coro Teatro Regio Torino

Allestimento Teatro Real (Madrid)

In coproduzione con Asociación Bilbaína de Amigos de la Ópera (A.B.A.O.) e Teatro Pérez Galdós de la Palmas de Gran Canaria

Some weddings are "crazy days", as the subtitle of The Marriage of Figaro states, the funniest and most human opera by Mozart and his librettist Da Ponte. Staging it was an obstacle course for them, since the subject was taken from a French comedy of political and social satire banned in both Paris and Vienna: only the intervention of the Emperor of Austria guaranteed its debut in 1786. To reassure him, every scandalous element was eliminated, leaving room for the expression of genuine passions through a succession of arias and ensemble pieces of unparalleled variety.

On this occasion Figaro, the famous Sevillian barber, must avoid every trap to marry his beloved Susanna, saving her from the snares of the Count of Almaviva. Between the pro quo, disguises and twists, the story is very intricate: a linear direction like that of Emilio Segi is therefore essential to fully enjoy the show. His production, which debuted at the Teatro Real in Madrid, has an eighteenth-century setting imbued with the light and scents of Andalusia.

Specialists of the late eighteenth century repertoire will take on the roles of the protagonists: Vito Priante and Monica Conesa will be the Count and Countess, Giorgio Caoduro will be Figaro, Giulia Semenzato Susanna and Josè Maria Lo Monaco Cherubino. On the podium will be Leonardo Sini, a young Sardinian maestro who has already distinguished himself on the opera scene for his always solid and attentive direction.

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Le Nozze di Figaro - Count Almaviva
Nov
28
7:30 PM19:30

Le Nozze di Figaro - Count Almaviva

Jarrett sings the role of Il Counte d’Almaviva

Il conte d'Almaviva Baritono Jarrett Ott

La contessa d'Almaviva Soprano Kirsten MacKinnon

Figaro Baritono Christian Federici

Susanna Soprano Martina Russomanno

Cherubino Mezzosoprano Siphokazi Molteno (Regio Ensemble)

Marcellina Mezzosoprano Chiara Tirotta

Bartolo Basso Giovanni Romeo

Basilio Tenore Juan José Medina (Regio Ensemble)

Don Curzio Tenore Cristiano Olivieri

Antonio Baritono Janusz Nosek (Regio Ensemble)

Barbarina Soprano Albina Tonkikh (Regio Ensemble)

Leonardo Sini direttore d'orchestra

Emilio Sagi regia

Daniel Bianco scene

Renata Schussheim costumi

Eduardo Bravo luci

Nuria Castejon coreografia

Ulisse Trabacchin maestro del coro

Orchestra e Coro Teatro Regio Torino

Allestimento Teatro Real (Madrid)

In coproduzione con Asociación Bilbaína de Amigos de la Ópera (A.B.A.O.) e Teatro Pérez Galdós de la Palmas de Gran Canaria

Some weddings are "crazy days", as the subtitle of The Marriage of Figaro states, the funniest and most human opera by Mozart and his librettist Da Ponte. Staging it was an obstacle course for them, since the subject was taken from a French comedy of political and social satire banned in both Paris and Vienna: only the intervention of the Emperor of Austria guaranteed its debut in 1786. To reassure him, every scandalous element was eliminated, leaving room for the expression of genuine passions through a succession of arias and ensemble pieces of unparalleled variety.

On this occasion Figaro, the famous Sevillian barber, must avoid every trap to marry his beloved Susanna, saving her from the snares of the Count of Almaviva. Between the pro quo, disguises and twists, the story is very intricate: a linear direction like that of Emilio Segi is therefore essential to fully enjoy the show. His production, which debuted at the Teatro Real in Madrid, has an eighteenth-century setting imbued with the light and scents of Andalusia.

Specialists of the late eighteenth century repertoire will take on the roles of the protagonists: Vito Priante and Monica Conesa will be the Count and Countess, Giorgio Caoduro will be Figaro, Giulia Semenzato Susanna and Josè Maria Lo Monaco Cherubino. On the podium will be Leonardo Sini, a young Sardinian maestro who has already distinguished himself on the opera scene for his always solid and attentive direction.

View Event →
Le Nozze di Figaro - Count Almaviva
Nov
30
7:30 PM19:30

Le Nozze di Figaro - Count Almaviva

Jarrett sings the role of Il Counte d’Almaviva

Il conte d'Almaviva Baritono Jarrett Ott

La contessa d'Almaviva Soprano Kirsten MacKinnon

Figaro Baritono Christian Federici

Susanna Soprano Martina Russomanno

Cherubino Mezzosoprano Siphokazi Molteno (Regio Ensemble)

Marcellina Mezzosoprano Chiara Tirotta

Bartolo Basso Giovanni Romeo

Basilio Tenore Juan José Medina (Regio Ensemble)

Don Curzio Tenore Cristiano Olivieri

Antonio Baritono Janusz Nosek (Regio Ensemble)

Barbarina Soprano Albina Tonkikh (Regio Ensemble)

Leonardo Sini direttore d'orchestra

Emilio Sagi regia

Daniel Bianco scene

Renata Schussheim costumi

Eduardo Bravo luci

Nuria Castejon coreografia

Ulisse Trabacchin maestro del coro

Orchestra e Coro Teatro Regio Torino

Allestimento Teatro Real (Madrid)

In coproduzione con Asociación Bilbaína de Amigos de la Ópera (A.B.A.O.) e Teatro Pérez Galdós de la Palmas de Gran Canaria

Some weddings are "crazy days", as the subtitle of The Marriage of Figaro states, the funniest and most human opera by Mozart and his librettist Da Ponte. Staging it was an obstacle course for them, since the subject was taken from a French comedy of political and social satire banned in both Paris and Vienna: only the intervention of the Emperor of Austria guaranteed its debut in 1786. To reassure him, every scandalous element was eliminated, leaving room for the expression of genuine passions through a succession of arias and ensemble pieces of unparalleled variety.

On this occasion Figaro, the famous Sevillian barber, must avoid every trap to marry his beloved Susanna, saving her from the snares of the Count of Almaviva. Between the pro quo, disguises and twists, the story is very intricate: a linear direction like that of Emilio Segi is therefore essential to fully enjoy the show. His production, which debuted at the Teatro Real in Madrid, has an eighteenth-century setting imbued with the light and scents of Andalusia.

Specialists of the late eighteenth century repertoire will take on the roles of the protagonists: Vito Priante and Monica Conesa will be the Count and Countess, Giorgio Caoduro will be Figaro, Giulia Semenzato Susanna and Josè Maria Lo Monaco Cherubino. On the podium will be Leonardo Sini, a young Sardinian maestro who has already distinguished himself on the opera scene for his always solid and attentive direction.

View Event →
Beethoven: Symphony No. 9 with Philippe Herreweghe
Dec
4
8:00 PM20:00

Beethoven: Symphony No. 9 with Philippe Herreweghe

BEETHOVEN EUROPEAN ARK III

H. EISLER “Gegen den Krieg” (except 07/12)
Lv BEETHOVEN Symphony No. 9 in D m ​​op. 125

Eleanor Lyons, Sophie Harmsen, Ilker Arcayürek, Jarrett Ott
Collegium Vocale Gent
Philippe Herreweghe , conductor

During the 2024/2025 season, the Orchestre des Champs-Elysées is celebrating the bicentenary of the creation of one of the universal masterpieces in the history of music: Beethoven's 9th Symphony, which has now become the European anthem.

A 10-concert event tour, under the high patronage of Emmanuel Macron, President of the Republic, as a manifesto for peace.

To celebrate this work and the values ​​it embodies, the orchestra has designed a musical program that juxtaposes Beethoven's 9th with an a capella piece for choir written in 1936 by the Austrian composer Hanns Eisler on a text by Brecht: Gegen den Krieg (Against War).

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Beethoven: Symphony No. 9 with Philippe Herreweghe
Dec
5
8:00 PM20:00

Beethoven: Symphony No. 9 with Philippe Herreweghe

BEETHOVEN EUROPEAN ARK III

H. EISLER “Gegen den Krieg” (except 07/12)
Lv BEETHOVEN Symphony No. 9 in D m ​​op. 125

Eleanor Lyons, Sophie Harmsen, Ilker Arcayürek, Jarrett Ott
Collegium Vocale Gent
Philippe Herreweghe , conductor

During the 2024/2025 season, the Orchestre des Champs-Elysées is celebrating the bicentenary of the creation of one of the universal masterpieces in the history of music: Beethoven's 9th Symphony, which has now become the European anthem.

A 10-concert event tour, under the high patronage of Emmanuel Macron, President of the Republic, as a manifesto for peace.

To celebrate this work and the values ​​it embodies, the orchestra has designed a musical program that juxtaposes Beethoven's 9th with an a capella piece for choir written in 1936 by the Austrian composer Hanns Eisler on a text by Brecht: Gegen den Krieg (Against War).

View Event →
Beethoven: Symphony No. 9 with Philippe Herreweghe
Dec
6
7:30 PM19:30

Beethoven: Symphony No. 9 with Philippe Herreweghe

BEETHOVEN EUROPEAN ARK III

H. EISLER “Gegen den Krieg” (except 07/12)
Lv BEETHOVEN Symphony No. 9 in D m ​​op. 125

Eleanor Lyons, Sophie Harmsen, Ilker Arcayürek, Jarrett Ott
Collegium Vocale Gent
Philippe Herreweghe , conductor

During the 2024/2025 season, the Orchestre des Champs-Elysées is celebrating the bicentenary of the creation of one of the universal masterpieces in the history of music: Beethoven's 9th Symphony, which has now become the European anthem.

A 10-concert event tour, under the high patronage of Emmanuel Macron, President of the Republic, as a manifesto for peace.

To celebrate this work and the values ​​it embodies, the orchestra has designed a musical program that juxtaposes Beethoven's 9th with an a capella piece for choir written in 1936 by the Austrian composer Hanns Eisler on a text by Brecht: Gegen den Krieg (Against War).

View Event →
Beethoven: Symphony No. 9 with Philippe Herreweghe
Dec
7
6:00 PM18:00

Beethoven: Symphony No. 9 with Philippe Herreweghe

BEETHOVEN EUROPEAN ARK III

H. EISLER “Gegen den Krieg” (except 07/12)
Lv BEETHOVEN Symphony No. 9 in D m ​​op. 125

Eleanor Lyons, Sophie Harmsen, Ilker Arcayürek, Jarrett Ott
Collegium Vocale Gent
Philippe Herreweghe , conductor

During the 2024/2025 season, the Orchestre des Champs-Elysées is celebrating the bicentenary of the creation of one of the universal masterpieces in the history of music: Beethoven's 9th Symphony, which has now become the European anthem.

A 10-concert event tour, under the high patronage of Emmanuel Macron, President of the Republic, as a manifesto for peace.

To celebrate this work and the values ​​it embodies, the orchestra has designed a musical program that juxtaposes Beethoven's 9th with an a capella piece for choir written in 1936 by the Austrian composer Hanns Eisler on a text by Brecht: Gegen den Krieg (Against War).

View Event →
Dido & Aeneas
Feb
20
8:00 PM20:00

Dido & Aeneas

Jarrett sings Aeneas.

Dido and Aeneas
Opera by Henry Purcell

Libretto by Nahum Tate based on Virgil’s Aeneid
First performed in 1689 in Chelsea
Last time at the Grand Théâtre de Genève 2001-2002

Revival of the production streamed in 2020-2021
In coproduction with the Opéra de Lille and the Théâtres de la ville de Luxembourg

20 and 22* February 2025 – 8PM
23 February 2025 – 3PM
25 February 2025 – 7PM
26 February 2025 – 7:30PM

*« Glam Night »

Sung in English with French and English surtitles
Duration: approx. 1h50 without intermission*

CAST
Musical Director Emmanuelle Haïm & Atsushi Sakai
Stage Director and choreographer Franck Chartier (Peeping Tom)
Composition and direction of additional music Atsushi Sakai
Scenographer Justine Bougerol
Costumes designer Anne-Catherine Kunz
Lighting Designer Giacomo Gorini
Dramaturgy Clara Pons
Artistic collaborator Eurudike De Beul
Choir director Mark Biggins

Dido / Sorceress / Spirit Marie-Claude Chappuis
Aeneas / A sailor Jarrett Ott
Belinda / Second witch Francesca Aspromonte
First witch / Second woman Yuliia Zasimova

Performance by the artists of Peeping Tom

Grand Théâtre de Genève Chorus
Orchestre du Concert d’Astrée

View Event →
Dido & Aeneas
Feb
22
8:00 PM20:00

Dido & Aeneas

Jarrett sings Aeneas.

Dido and Aeneas
Opera by Henry Purcell

Libretto by Nahum Tate based on Virgil’s Aeneid
First performed in 1689 in Chelsea
Last time at the Grand Théâtre de Genève 2001-2002

Revival of the production streamed in 2020-2021
In coproduction with the Opéra de Lille and the Théâtres de la ville de Luxembourg

20 and 22* February 2025 – 8PM
23 February 2025 – 3PM
25 February 2025 – 7PM
26 February 2025 – 7:30PM

*« Glam Night »

Sung in English with French and English surtitles
Duration: approx. 1h50 without intermission*

CAST
Musical Director Emmanuelle Haïm & Atsushi Sakai
Stage Director and choreographer Franck Chartier (Peeping Tom)
Composition and direction of additional music Atsushi Sakai
Scenographer Justine Bougerol
Costumes designer Anne-Catherine Kunz
Lighting Designer Giacomo Gorini
Dramaturgy Clara Pons
Artistic collaborator Eurudike De Beul
Choir director Mark Biggins

Dido / Sorceress / Spirit Marie-Claude Chappuis
Aeneas / A sailor Jarrett Ott
Belinda / Second witch Francesca Aspromonte
First witch / Second woman Yuliia Zasimova

Performance by the artists of Peeping Tom

Grand Théâtre de Genève Chorus
Orchestre du Concert d’Astrée

View Event →
Dido & Aeneas
Feb
23
3:00 PM15:00

Dido & Aeneas

Jarrett sings Aeneas.

Dido and Aeneas
Opera by Henry Purcell

Libretto by Nahum Tate based on Virgil’s Aeneid
First performed in 1689 in Chelsea
Last time at the Grand Théâtre de Genève 2001-2002

Revival of the production streamed in 2020-2021
In coproduction with the Opéra de Lille and the Théâtres de la ville de Luxembourg

20 and 22* February 2025 – 8PM
23 February 2025 – 3PM
25 February 2025 – 7PM
26 February 2025 – 7:30PM

*« Glam Night »

Sung in English with French and English surtitles
Duration: approx. 1h50 without intermission*

CAST
Musical Director Emmanuelle Haïm & Atsushi Sakai
Stage Director and choreographer Franck Chartier (Peeping Tom)
Composition and direction of additional music Atsushi Sakai
Scenographer Justine Bougerol
Costumes designer Anne-Catherine Kunz
Lighting Designer Giacomo Gorini
Dramaturgy Clara Pons
Artistic collaborator Eurudike De Beul
Choir director Mark Biggins

Dido / Sorceress / Spirit Marie-Claude Chappuis
Aeneas / A sailor Jarrett Ott
Belinda / Second witch Francesca Aspromonte
First witch / Second woman Yuliia Zasimova

Performance by the artists of Peeping Tom

Grand Théâtre de Genève Chorus
Orchestre du Concert d’Astrée

View Event →
Dido & Aeneas
Feb
25
7:00 PM19:00

Dido & Aeneas

Jarrett sings Aeneas.

Dido and Aeneas
Opera by Henry Purcell

Libretto by Nahum Tate based on Virgil’s Aeneid
First performed in 1689 in Chelsea
Last time at the Grand Théâtre de Genève 2001-2002

Revival of the production streamed in 2020-2021
In coproduction with the Opéra de Lille and the Théâtres de la ville de Luxembourg

20 and 22* February 2025 – 8PM
23 February 2025 – 3PM
25 February 2025 – 7PM
26 February 2025 – 7:30PM

*« Glam Night »

Sung in English with French and English surtitles
Duration: approx. 1h50 without intermission*

CAST
Musical Director Emmanuelle Haïm & Atsushi Sakai
Stage Director and choreographer Franck Chartier (Peeping Tom)
Composition and direction of additional music Atsushi Sakai
Scenographer Justine Bougerol
Costumes designer Anne-Catherine Kunz
Lighting Designer Giacomo Gorini
Dramaturgy Clara Pons
Artistic collaborator Eurudike De Beul
Choir director Mark Biggins

Dido / Sorceress / Spirit Marie-Claude Chappuis
Aeneas / A sailor Jarrett Ott
Belinda / Second witch Francesca Aspromonte
First witch / Second woman Yuliia Zasimova

Performance by the artists of Peeping Tom

Grand Théâtre de Genève Chorus
Orchestre du Concert d’Astrée

View Event →
Dido & Aeneas
Feb
26
7:30 PM19:30

Dido & Aeneas

Jarrett sings Aeneas.

Dido and Aeneas
Opera by Henry Purcell

Libretto by Nahum Tate based on Virgil’s Aeneid
First performed in 1689 in Chelsea
Last time at the Grand Théâtre de Genève 2001-2002

Revival of the production streamed in 2020-2021
In coproduction with the Opéra de Lille and the Théâtres de la ville de Luxembourg

20 and 22* February 2025 – 8PM
23 February 2025 – 3PM
25 February 2025 – 7PM
26 February 2025 – 7:30PM

*« Glam Night »

Sung in English with French and English surtitles
Duration: approx. 1h50 without intermission*

CAST
Musical Director Emmanuelle Haïm & Atsushi Sakai
Stage Director and choreographer Franck Chartier (Peeping Tom)
Composition and direction of additional music Atsushi Sakai
Scenographer Justine Bougerol
Costumes designer Anne-Catherine Kunz
Lighting Designer Giacomo Gorini
Dramaturgy Clara Pons
Artistic collaborator Eurudike De Beul
Choir director Mark Biggins

Dido / Sorceress / Spirit Marie-Claude Chappuis
Aeneas / A sailor Jarrett Ott
Belinda / Second witch Francesca Aspromonte
First witch / Second woman Yuliia Zasimova

Performance by the artists of Peeping Tom

Grand Théâtre de Genève Chorus
Orchestre du Concert d’Astrée

View Event →
Samson by Jean-Philippe Rameau
Mar
17
7:00 PM19:00

Samson by Jean-Philippe Rameau

Jarrett sings the title role of Samson.

Samson is known for his godlike strength and his passion for Dalila. But his divine birth, announced by an angel, also made him a saviour and a judge while his hopeless self-control, literal and figurative blindness and failures in love made him a hero marked by fate.

Voltaire’s ambition was to offer Rameau a philosophical, rather than academic, opera libretto based on this character from the Book of Judges. But royal censors refused to see the Sacred History dragged onto secular stages. Rameau thus abandoned the project and recycled his score in his later works.

The 1734 project, which cannot be strictly restored, inspired Claus Guth and Raphaël Pichon to adopt a more extended and collective frame of reference. The scenario of Samson’s life is cleverly accompanied by a perfect music montage intended to be as true as possible to the original. With a single strong plot and striking music, this total show presents today’s audiences with the edifying tragedy dreamt by Voltaire.

Creation by Claus Guth and Raphaël Pichon based on Samson. An opera creation project by Jean- Philippe Rameau, on a censored Voltaire libretto, created on 4th July 2024 at the Festival d’Aix-En-Provence

Musical direction, Raphaël Pichon • Stage direction, Claus Guth • With Jarrett Ott, Ana Maria Labin, Julie Roset, Laurence Kilsby, Camille Chopin, a child from la Maîtrise Populaire of the Opéra-Comique • Choir and Orchestra, Pygmalion

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Samson by Jean-Philippe Rameau
Mar
19
7:00 PM19:00

Samson by Jean-Philippe Rameau

Jarrett sings the title role of Samson.

Samson is known for his godlike strength and his passion for Dalila. But his divine birth, announced by an angel, also made him a saviour and a judge while his hopeless self-control, literal and figurative blindness and failures in love made him a hero marked by fate.

Voltaire’s ambition was to offer Rameau a philosophical, rather than academic, opera libretto based on this character from the Book of Judges. But royal censors refused to see the Sacred History dragged onto secular stages. Rameau thus abandoned the project and recycled his score in his later works.

The 1734 project, which cannot be strictly restored, inspired Claus Guth and Raphaël Pichon to adopt a more extended and collective frame of reference. The scenario of Samson’s life is cleverly accompanied by a perfect music montage intended to be as true as possible to the original. With a single strong plot and striking music, this total show presents today’s audiences with the edifying tragedy dreamt by Voltaire.

Creation by Claus Guth and Raphaël Pichon based on Samson. An opera creation project by Jean- Philippe Rameau, on a censored Voltaire libretto, created on 4th July 2024 at the Festival d’Aix-En-Provence

Musical direction, Raphaël Pichon • Stage direction, Claus Guth • With Jarrett Ott, Ana Maria Labin, Julie Roset, Laurence Kilsby, Camille Chopin, a child from la Maîtrise Populaire of the Opéra-Comique • Choir and Orchestra, Pygmalion

View Event →
Samson by Jean-Philippe Rameau
Mar
21
7:00 PM19:00

Samson by Jean-Philippe Rameau

Jarrett sings the title role of Samson.

Samson is known for his godlike strength and his passion for Dalila. But his divine birth, announced by an angel, also made him a saviour and a judge while his hopeless self-control, literal and figurative blindness and failures in love made him a hero marked by fate.

Voltaire’s ambition was to offer Rameau a philosophical, rather than academic, opera libretto based on this character from the Book of Judges. But royal censors refused to see the Sacred History dragged onto secular stages. Rameau thus abandoned the project and recycled his score in his later works.

The 1734 project, which cannot be strictly restored, inspired Claus Guth and Raphaël Pichon to adopt a more extended and collective frame of reference. The scenario of Samson’s life is cleverly accompanied by a perfect music montage intended to be as true as possible to the original. With a single strong plot and striking music, this total show presents today’s audiences with the edifying tragedy dreamt by Voltaire.

Creation by Claus Guth and Raphaël Pichon based on Samson. An opera creation project by Jean- Philippe Rameau, on a censored Voltaire libretto, created on 4th July 2024 at the Festival d’Aix-En-Provence

Musical direction, Raphaël Pichon • Stage direction, Claus Guth • With Jarrett Ott, Ana Maria Labin, Julie Roset, Laurence Kilsby, Camille Chopin, a child from la Maîtrise Populaire of the Opéra-Comique • Choir and Orchestra, Pygmalion

View Event →
Samson by Jean-Philippe Rameau
Mar
23
3:00 PM15:00

Samson by Jean-Philippe Rameau

Jarrett sings the title role of Samson.

Samson is known for his godlike strength and his passion for Dalila. But his divine birth, announced by an angel, also made him a saviour and a judge while his hopeless self-control, literal and figurative blindness and failures in love made him a hero marked by fate.

Voltaire’s ambition was to offer Rameau a philosophical, rather than academic, opera libretto based on this character from the Book of Judges. But royal censors refused to see the Sacred History dragged onto secular stages. Rameau thus abandoned the project and recycled his score in his later works.

The 1734 project, which cannot be strictly restored, inspired Claus Guth and Raphaël Pichon to adopt a more extended and collective frame of reference. The scenario of Samson’s life is cleverly accompanied by a perfect music montage intended to be as true as possible to the original. With a single strong plot and striking music, this total show presents today’s audiences with the edifying tragedy dreamt by Voltaire.

Creation by Claus Guth and Raphaël Pichon based on Samson. An opera creation project by Jean- Philippe Rameau, on a censored Voltaire libretto, created on 4th July 2024 at the Festival d’Aix-En-Provence

Musical direction, Raphaël Pichon • Stage direction, Claus Guth • With Jarrett Ott, Ana Maria Labin, Julie Roset, Laurence Kilsby, Camille Chopin, a child from la Maîtrise Populaire of the Opéra-Comique • Choir and Orchestra, Pygmalion

View Event →
Antony & Cleopatra
May
15
8:00 PM20:00

Antony & Cleopatra

Jarrett sings the role of Agrippa

The most recent opera by preeminent American composer John Adams—a glorious adaptation of Shakespeare’s immortal drama—has its Met premiere. Following her debut in the company premiere of Adams’s El Niño in 2024, soprano Julia Bullock stars as the irresistible Cleopatra, one of theater’s most complex and captivating characters, opposite bass-baritone Gerald Finley as the conflicted Antony. Adams himself takes the podium to conduct his lyrical and richly orchestrated score, leading a new staging by groundbreaking director Elkhanah Pulitzer that transports the story of troubled romance and political strife from ancient Rome to the Golden Age of Hollywood in the 1930s. Tenor Paul Appleby is Caesar, who goes to war with Antony, and mezzo-soprano Elizabeth DeShong is Caesar’s sister and Antony’s forsaken wife Octavia.

Opera in Two Acts
Composed by John Adams
Libretto adapted by John Adams from Shakespeare
With supplementary passages from Plutarch, Virgil, and other classical texts

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Antony & Cleopatra
May
20
8:00 PM20:00

Antony & Cleopatra

Jarrett sings the role of Agrippa

The most recent opera by preeminent American composer John Adams—a glorious adaptation of Shakespeare’s immortal drama—has its Met premiere. Following her debut in the company premiere of Adams’s El Niño in 2024, soprano Julia Bullock stars as the irresistible Cleopatra, one of theater’s most complex and captivating characters, opposite bass-baritone Gerald Finley as the conflicted Antony. Adams himself takes the podium to conduct his lyrical and richly orchestrated score, leading a new staging by groundbreaking director Elkhanah Pulitzer that transports the story of troubled romance and political strife from ancient Rome to the Golden Age of Hollywood in the 1930s. Tenor Paul Appleby is Caesar, who goes to war with Antony, and mezzo-soprano Elizabeth DeShong is Caesar’s sister and Antony’s forsaken wife Octavia.

Opera in Two Acts
Composed by John Adams
Libretto adapted by John Adams from Shakespeare
With supplementary passages from Plutarch, Virgil, and other classical texts

View Event →
Antony & Cleopatra
May
24
1:00 PM13:00

Antony & Cleopatra

Jarrett sings the role of Agrippa

The most recent opera by preeminent American composer John Adams—a glorious adaptation of Shakespeare’s immortal drama—has its Met premiere. Following her debut in the company premiere of Adams’s El Niño in 2024, soprano Julia Bullock stars as the irresistible Cleopatra, one of theater’s most complex and captivating characters, opposite bass-baritone Gerald Finley as the conflicted Antony. Adams himself takes the podium to conduct his lyrical and richly orchestrated score, leading a new staging by groundbreaking director Elkhanah Pulitzer that transports the story of troubled romance and political strife from ancient Rome to the Golden Age of Hollywood in the 1930s. Tenor Paul Appleby is Caesar, who goes to war with Antony, and mezzo-soprano Elizabeth DeShong is Caesar’s sister and Antony’s forsaken wife Octavia.

Opera in Two Acts
Composed by John Adams
Libretto adapted by John Adams from Shakespeare
With supplementary passages from Plutarch, Virgil, and other classical texts

View Event →
Antony & Cleopatra
May
30
7:00 PM19:00

Antony & Cleopatra

Jarrett sings the role of Agrippa

The most recent opera by preeminent American composer John Adams—a glorious adaptation of Shakespeare’s immortal drama—has its Met premiere. Following her debut in the company premiere of Adams’s El Niño in 2024, soprano Julia Bullock stars as the irresistible Cleopatra, one of theater’s most complex and captivating characters, opposite bass-baritone Gerald Finley as the conflicted Antony. Adams himself takes the podium to conduct his lyrical and richly orchestrated score, leading a new staging by groundbreaking director Elkhanah Pulitzer that transports the story of troubled romance and political strife from ancient Rome to the Golden Age of Hollywood in the 1930s. Tenor Paul Appleby is Caesar, who goes to war with Antony, and mezzo-soprano Elizabeth DeShong is Caesar’s sister and Antony’s forsaken wife Octavia.

Opera in Two Acts
Composed by John Adams
Libretto adapted by John Adams from Shakespeare
With supplementary passages from Plutarch, Virgil, and other classical texts

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Antony & Cleopatra
Jun
3
3:00 PM15:00

Antony & Cleopatra

Jarrett sings the role of Agrippa

The most recent opera by preeminent American composer John Adams—a glorious adaptation of Shakespeare’s immortal drama—has its Met premiere. Following her debut in the company premiere of Adams’s El Niño in 2024, soprano Julia Bullock stars as the irresistible Cleopatra, one of theater’s most complex and captivating characters, opposite bass-baritone Gerald Finley as the conflicted Antony. Adams himself takes the podium to conduct his lyrical and richly orchestrated score, leading a new staging by groundbreaking director Elkhanah Pulitzer that transports the story of troubled romance and political strife from ancient Rome to the Golden Age of Hollywood in the 1930s. Tenor Paul Appleby is Caesar, who goes to war with Antony, and mezzo-soprano Elizabeth DeShong is Caesar’s sister and Antony’s forsaken wife Octavia.

Opera in Two Acts
Composed by John Adams
Libretto adapted by John Adams from Shakespeare
With supplementary passages from Plutarch, Virgil, and other classical texts

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Antony & Cleopatra
Jun
7
8:00 PM20:00

Antony & Cleopatra

Jarrett sings the role of Agrippa

The most recent opera by preeminent American composer John Adams—a glorious adaptation of Shakespeare’s immortal drama—has its Met premiere. Following her debut in the company premiere of Adams’s El Niño in 2024, soprano Julia Bullock stars as the irresistible Cleopatra, one of theater’s most complex and captivating characters, opposite bass-baritone Gerald Finley as the conflicted Antony. Adams himself takes the podium to conduct his lyrical and richly orchestrated score, leading a new staging by groundbreaking director Elkhanah Pulitzer that transports the story of troubled romance and political strife from ancient Rome to the Golden Age of Hollywood in the 1930s. Tenor Paul Appleby is Caesar, who goes to war with Antony, and mezzo-soprano Elizabeth DeShong is Caesar’s sister and Antony’s forsaken wife Octavia.

Opera in Two Acts
Composed by John Adams
Libretto adapted by John Adams from Shakespeare
With supplementary passages from Plutarch, Virgil, and other classical texts

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West Side Story
Jul
29
7:30 PM19:30

West Side Story

Jarrett sings the role of Riff.

Conducted by Gustavo Dudamel

Maria. Nadine Sierra

Tony Juan Diego Flórez

Anita. Isabel Leonard

Riff Jarrett Ott

Bernardo Milan Perišic

Baby John Cristofol Romaguera

Action Jan Antem

A-Rab Pau Camero

Rosalia Montserrat Seró

Francisca Laura Brasó

Consuelo Tanit Bono

COR DEL GRAN TEATRE DEL LICEU (Pablo Assante, director)

ORQUESTRA SIMFÒNICA DEL GRAN TEATRE DEL LCIEU

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West Side Story
Jul
31
7:30 PM19:30

West Side Story

Jarrett sings the role of Riff.

Conducted by Gustavo Dudamel

Maria. Nadine Sierra

Tony Juan Diego Flórez

Anita. Isabel Leonard

Riff Jarrett Ott

Bernardo Milan Perišic

Baby John Cristofol Romaguera

Action Jan Antem

A-Rab Pau Camero

Rosalia Montserrat Seró

Francisca Laura Brasó

Consuelo Tanit Bono

COR DEL GRAN TEATRE DEL LICEU (Pablo Assante, director)

ORQUESTRA SIMFÒNICA DEL GRAN TEATRE DEL LCIEU

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Hymne à la joie - Beethoven's 9th Symphony
Oct
5
8:00 PM20:00

Hymne à la joie - Beethoven's 9th Symphony

Vocal Concert

Grande salle Pierre Boulez - Philharmonie

Duration: about 1h15

Program

Ludwig van Beethoven

Symphonie n° 9 "Hymne à la joie"

Orchestre du Conservatoire de Paris

Internationale Chorakademie

Raphaël Pichon , conducting

Rolf Beck , choirmaster

Jacquelyn Stucker , soprano

Beth Taylor , mezzo-soprano

Robin Tritschler , tenor

Jarrett Ott , baritone

A weekend devoted to choral music would not be complete without works by Raphaël Pichon, who from 2009, early in his career, has championed the choir—calling for its central place to be honoured, as a true equal to the orchestra.

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SAMSON - Festival d'Aix-en-Provence
Jul
18
3:30 PM15:30

SAMSON - Festival d'Aix-en-Provence

SAMSON

JEAN-PHILIPPE RAMEAU (1683-1764)

WORLD PREMIERE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH THÉÂTRE NATIONAL DE L’OPÉRA-COMIQUE

WITH THE SUPPORT OF

GRANDE MÉCÈNE D’EXCEPTION

AMMODO AND CERCLE DES MÉCÈNES ASSOCIÉS

THÉÂTRE DE L'ARCHEVÊCHÉ

NEW WORK BY CLAUS GUTH AND RAPHAËL PICHON FREELY BASED ON SAMSON, A LOST OPERA BY JEAN-PHILIPPE RAMEAU AND A CENSURED LIBRETTO BY FRANÇOIS-MARIE AROUET DIT VOLTAIRE (1734 AND 1736), INSPIRED BY THE BIBLE (THE BOOK OF JUDGES)

CONDUCTOR AND MUSICAL CONCEPT Raphaël Pichon*

STAGE DIRECTION, CONCEPT AND SCENARIO Claus Guth

SET DESIGN Étienne Pluss

COSTUME DESIGN Ursula Kudrna

LIGHTING DESIGN Bertrand Couderc

CHOREOGRAPHY Sommer Ulrickson

SOUND DESIGN Mathis Nitschke

VIDEO rocafilm

EDITORIAL ASSOCIATE Eddy Garaudel

DRAMATURGY Yvonne Gebauer

SAMSON Jarrett Ott

DALILA Jacquelyn Stucker

TIMNA Lea Desandre*

ACHISCH Nahuel di Pierro

ELON Laurence Kilsby

L'ANGE Julie Roset*

UN CONVIVE Antonin Rondepierre

LA MÈRE DE SAMSON Andréa Ferréol

CHOIR AND ORCHESTRA Pygmalion

*FORMER ARTISTS OF THE ACADÉMIE

ABOUT

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music. Samson is the chosen of God, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott, Jacquelyn Stucker and Lea Desandre in the principal roles, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.

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SAMSON - Festival d'Aix-en-Provence
Jul
15
3:30 PM15:30

SAMSON - Festival d'Aix-en-Provence

SAMSON

JEAN-PHILIPPE RAMEAU (1683-1764)

WORLD PREMIERE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH THÉÂTRE NATIONAL DE L’OPÉRA-COMIQUE

WITH THE SUPPORT OF

GRANDE MÉCÈNE D’EXCEPTION

AMMODO AND CERCLE DES MÉCÈNES ASSOCIÉS

THÉÂTRE DE L'ARCHEVÊCHÉ

NEW WORK BY CLAUS GUTH AND RAPHAËL PICHON FREELY BASED ON SAMSON, A LOST OPERA BY JEAN-PHILIPPE RAMEAU AND A CENSURED LIBRETTO BY FRANÇOIS-MARIE AROUET DIT VOLTAIRE (1734 AND 1736), INSPIRED BY THE BIBLE (THE BOOK OF JUDGES)

CONDUCTOR AND MUSICAL CONCEPT Raphaël Pichon*

STAGE DIRECTION, CONCEPT AND SCENARIO Claus Guth

SET DESIGN Étienne Pluss

COSTUME DESIGN Ursula Kudrna

LIGHTING DESIGN Bertrand Couderc

CHOREOGRAPHY Sommer Ulrickson

SOUND DESIGN Mathis Nitschke

VIDEO rocafilm

EDITORIAL ASSOCIATE Eddy Garaudel

DRAMATURGY Yvonne Gebauer

SAMSON Jarrett Ott

DALILA Jacquelyn Stucker

TIMNA Lea Desandre*

ACHISCH Nahuel di Pierro

ELON Laurence Kilsby

L'ANGE Julie Roset*

UN CONVIVE Antonin Rondepierre

LA MÈRE DE SAMSON Andréa Ferréol

CHOIR AND ORCHESTRA Pygmalion

*FORMER ARTISTS OF THE ACADÉMIE

ABOUT

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music. Samson is the chosen of God, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott, Jacquelyn Stucker and Lea Desandre in the principal roles, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.

View Event →
SAMSON - Festival d'Aix-en-Provence
Jul
12
3:30 PM15:30

SAMSON - Festival d'Aix-en-Provence

SAMSON

JEAN-PHILIPPE RAMEAU (1683-1764)

WORLD PREMIERE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH THÉÂTRE NATIONAL DE L’OPÉRA-COMIQUE

WITH THE SUPPORT OF

GRANDE MÉCÈNE D’EXCEPTION

AMMODO AND CERCLE DES MÉCÈNES ASSOCIÉS

THÉÂTRE DE L'ARCHEVÊCHÉ

NEW WORK BY CLAUS GUTH AND RAPHAËL PICHON FREELY BASED ON SAMSON, A LOST OPERA BY JEAN-PHILIPPE RAMEAU AND A CENSURED LIBRETTO BY FRANÇOIS-MARIE AROUET DIT VOLTAIRE (1734 AND 1736), INSPIRED BY THE BIBLE (THE BOOK OF JUDGES)

CONDUCTOR AND MUSICAL CONCEPT Raphaël Pichon*

STAGE DIRECTION, CONCEPT AND SCENARIO Claus Guth

SET DESIGN Étienne Pluss

COSTUME DESIGN Ursula Kudrna

LIGHTING DESIGN Bertrand Couderc

CHOREOGRAPHY Sommer Ulrickson

SOUND DESIGN Mathis Nitschke

VIDEO rocafilm

EDITORIAL ASSOCIATE Eddy Garaudel

DRAMATURGY Yvonne Gebauer

SAMSON Jarrett Ott

DALILA Jacquelyn Stucker

TIMNA Lea Desandre*

ACHISCH Nahuel di Pierro

ELON Laurence Kilsby

L'ANGE Julie Roset*

UN CONVIVE Antonin Rondepierre

LA MÈRE DE SAMSON Andréa Ferréol

CHOIR AND ORCHESTRA Pygmalion

*FORMER ARTISTS OF THE ACADÉMIE

ABOUT

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music. Samson is the chosen of God, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott, Jacquelyn Stucker and Lea Desandre in the principal roles, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.

View Event →
SAMSON - Festival d'Aix-en-Provence
Jul
9
3:30 PM15:30

SAMSON - Festival d'Aix-en-Provence

SAMSON

JEAN-PHILIPPE RAMEAU (1683-1764)

WORLD PREMIERE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH THÉÂTRE NATIONAL DE L’OPÉRA-COMIQUE

WITH THE SUPPORT OF

GRANDE MÉCÈNE D’EXCEPTION

AMMODO AND CERCLE DES MÉCÈNES ASSOCIÉS

THÉÂTRE DE L'ARCHEVÊCHÉ

NEW WORK BY CLAUS GUTH AND RAPHAËL PICHON FREELY BASED ON SAMSON, A LOST OPERA BY JEAN-PHILIPPE RAMEAU AND A CENSURED LIBRETTO BY FRANÇOIS-MARIE AROUET DIT VOLTAIRE (1734 AND 1736), INSPIRED BY THE BIBLE (THE BOOK OF JUDGES)

CONDUCTOR AND MUSICAL CONCEPT Raphaël Pichon*

STAGE DIRECTION, CONCEPT AND SCENARIO Claus Guth

SET DESIGN Étienne Pluss

COSTUME DESIGN Ursula Kudrna

LIGHTING DESIGN Bertrand Couderc

CHOREOGRAPHY Sommer Ulrickson

SOUND DESIGN Mathis Nitschke

VIDEO rocafilm

EDITORIAL ASSOCIATE Eddy Garaudel

DRAMATURGY Yvonne Gebauer

SAMSON Jarrett Ott

DALILA Jacquelyn Stucker

TIMNA Lea Desandre*

ACHISCH Nahuel di Pierro

ELON Laurence Kilsby

L'ANGE Julie Roset*

UN CONVIVE Antonin Rondepierre

LA MÈRE DE SAMSON Andréa Ferréol

CHOIR AND ORCHESTRA Pygmalion

*FORMER ARTISTS OF THE ACADÉMIE

ABOUT

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music. Samson is the chosen of God, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott, Jacquelyn Stucker and Lea Desandre in the principal roles, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.

View Event →
SAMSON - Festival d'Aix-en-Provence
Jul
6
3:30 PM15:30

SAMSON - Festival d'Aix-en-Provence

SAMSON

JEAN-PHILIPPE RAMEAU (1683-1764)

WORLD PREMIERE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH THÉÂTRE NATIONAL DE L’OPÉRA-COMIQUE

WITH THE SUPPORT OF

GRANDE MÉCÈNE D’EXCEPTION

AMMODO AND CERCLE DES MÉCÈNES ASSOCIÉS

THÉÂTRE DE L'ARCHEVÊCHÉ

NEW WORK BY CLAUS GUTH AND RAPHAËL PICHON FREELY BASED ON SAMSON, A LOST OPERA BY JEAN-PHILIPPE RAMEAU AND A CENSURED LIBRETTO BY FRANÇOIS-MARIE AROUET DIT VOLTAIRE (1734 AND 1736), INSPIRED BY THE BIBLE (THE BOOK OF JUDGES)

CONDUCTOR AND MUSICAL CONCEPT Raphaël Pichon*

STAGE DIRECTION, CONCEPT AND SCENARIO Claus Guth

SET DESIGN Étienne Pluss

COSTUME DESIGN Ursula Kudrna

LIGHTING DESIGN Bertrand Couderc

CHOREOGRAPHY Sommer Ulrickson

SOUND DESIGN Mathis Nitschke

VIDEO rocafilm

EDITORIAL ASSOCIATE Eddy Garaudel

DRAMATURGY Yvonne Gebauer

SAMSON Jarrett Ott

DALILA Jacquelyn Stucker

TIMNA Lea Desandre*

ACHISCH Nahuel di Pierro

ELON Laurence Kilsby

L'ANGE Julie Roset*

UN CONVIVE Antonin Rondepierre

LA MÈRE DE SAMSON Andréa Ferréol

CHOIR AND ORCHESTRA Pygmalion

*FORMER ARTISTS OF THE ACADÉMIE

ABOUT

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music. Samson is the chosen of God, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott, Jacquelyn Stucker and Lea Desandre in the principal roles, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.

View Event →
SAMSON - Festival d'Aix-en-Provence
Jul
4
3:30 PM15:30

SAMSON - Festival d'Aix-en-Provence

SAMSON

JEAN-PHILIPPE RAMEAU (1683-1764)

WORLD PREMIERE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH THÉÂTRE NATIONAL DE L’OPÉRA-COMIQUE

WITH THE SUPPORT OF

GRANDE MÉCÈNE D’EXCEPTION

AMMODO AND CERCLE DES MÉCÈNES ASSOCIÉS

THÉÂTRE DE L'ARCHEVÊCHÉ

NEW WORK BY CLAUS GUTH AND RAPHAËL PICHON FREELY BASED ON SAMSON, A LOST OPERA BY JEAN-PHILIPPE RAMEAU AND A CENSURED LIBRETTO BY FRANÇOIS-MARIE AROUET DIT VOLTAIRE (1734 AND 1736), INSPIRED BY THE BIBLE (THE BOOK OF JUDGES)

CONDUCTOR AND MUSICAL CONCEPT Raphaël Pichon*

STAGE DIRECTION, CONCEPT AND SCENARIO Claus Guth

SET DESIGN Étienne Pluss

COSTUME DESIGN Ursula Kudrna

LIGHTING DESIGN Bertrand Couderc

CHOREOGRAPHY Sommer Ulrickson

SOUND DESIGN Mathis Nitschke

VIDEO rocafilm

EDITORIAL ASSOCIATE Eddy Garaudel

DRAMATURGY Yvonne Gebauer

SAMSON Jarrett Ott

DALILA Jacquelyn Stucker

TIMNA Lea Desandre*

ACHISCH Nahuel di Pierro

ELON Laurence Kilsby

L'ANGE Julie Roset*

UN CONVIVE Antonin Rondepierre

LA MÈRE DE SAMSON Andréa Ferréol

CHOIR AND ORCHESTRA Pygmalion

*FORMER ARTISTS OF THE ACADÉMIE

ABOUT

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music. Samson is the chosen of God, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott, Jacquelyn Stucker and Lea Desandre in the principal roles, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.

View Event →
A Sea Symphony with the Colorado Symphony Chorus
May
19
1:00 PM13:00

A Sea Symphony with the Colorado Symphony Chorus

Jarrett Ott, baritone soloist

Celebrate 40 years of the world-renowned Colorado Symphony Chorus with a renewal of Vaughan Williams' A Sea Symphony, utilizing text from Walt Whitman's Leaves of Grass, and employing a chorus throughout the entirety of the work in groundbreaking fashion. Over a hundred years earlier, Beethoven's symphonic debut started the genre established by Mozart and Haydn on a journey that would eventually evolve into Vaughan Williams' vivid, chorus-driven masterpiece.

Founded in 1984 by Duain Wolfe, the Colorado Symphony Chorus has flourished into an internationally respected ensemble, making it the preferred choice for the chorus of the Aspen Music Festival and for orchestras touring through the Bravo! Vail Music Festival. Celebrate their Ruby Anniversary with a choral spectacular alongside Principal Conductor Peter Oundjian and the Colorado Symphony. 

Featured Artists

Peter Oundjian, conductor
Colorado Symphony Chorus, Duain Wolfe, director
Karina Gauvin, soprano
Jarrett Ott, baritone

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A Sea Symphony with the Colorado Symphony Chorus
May
18
7:30 PM19:30

A Sea Symphony with the Colorado Symphony Chorus

Jarrett Ott, baritone soloist

Celebrate 40 years of the world-renowned Colorado Symphony Chorus with a renewal of Vaughan Williams' A Sea Symphony, utilizing text from Walt Whitman's Leaves of Grass, and employing a chorus throughout the entirety of the work in groundbreaking fashion. Over a hundred years earlier, Beethoven's symphonic debut started the genre established by Mozart and Haydn on a journey that would eventually evolve into Vaughan Williams' vivid, chorus-driven masterpiece.

Founded in 1984 by Duain Wolfe, the Colorado Symphony Chorus has flourished into an internationally respected ensemble, making it the preferred choice for the chorus of the Aspen Music Festival and for orchestras touring through the Bravo! Vail Music Festival. Celebrate their Ruby Anniversary with a choral spectacular alongside Principal Conductor Peter Oundjian and the Colorado Symphony. 

Featured Artists

Peter Oundjian, conductor
Colorado Symphony Chorus, Duain Wolfe, director
Karina Gauvin, soprano
Jarrett Ott, baritone

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Ned Rorem Celebration Concert
Apr
2
7:30 PM19:30

Ned Rorem Celebration Concert

Ned Rorem Celebration Concert

The Curtis Institute of Music honors the life, legacy, and genius of alumnus, longtime faculty member, and Pulitzer Prize-winning composer and prolific writer Ned Rorem (’44) with a concert at Field Concert Hall. Mr. Rorem received a GRAMMY Award and wrote three symphonies, four piano concerti, ten operas, choral works, ballets, song cycles, and numerous orchestral works in his lifetime. Revered faculty members, rising stars of the Curtis Opera Theatre, and some of the school’s gifted musicians pay tribute to one of the greatest American composers of the twentieth century and a cultural luminary who inspired generations of young artists and composers.

Sarah Fleiss, soprano
Katie Trigg, mezzo-soprano
Jarrett Ott (Opera ’14), baritone
Miloš Repický, piano

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Mar
23
8:00 PM20:00

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Mar
17
2:30 PM14:30

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Mar
13
8:00 PM20:00

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Mar
9
8:00 PM20:00

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Mar
6
8:00 PM20:00

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Mar
3
2:30 PM14:30

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Feb
29
8:00 PM20:00

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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Philadelphia Orchestra's Glorious Sound of Christmas
Dec
16
7:00 PM19:00

Philadelphia Orchestra's Glorious Sound of Christmas

Performance Details

Jarrett sings selections from Vaughan Williams’ Five Mystical Songs and O Holy Night

William Eddins Conductor
Charlotte Blake Alston Speaker
Jarrett Ott Baritone
Mendelssohn Chorus of Philadelphia
Dominick DiOrio Director

Mendelssohn “Hark! the Herald Angels Sing”
Traditional “Away in a Manger”
Traditional “God Rest Ye, Merry Gentlemen”
Vaughan Williams Selections from Five Mystical Songs
Tchaikovsky/freely arr. Ellington and Strayhorn Selections from The Nutcracker Suite
Various A Charleston Christmas 
Adam “O Holy Night”
Holst “In the Bleak Midwinter”
Tovey “The Rittenhouse Carol”
Anderson Sleigh Ride
Various Medley of Christmas Favorites
Wade “O Come, All Ye Faithful”

You can almost hear the stamping of the reindeer hooves on the roof in these concerts, beloved by fans since the iconic Glorious Sound of Christmas® recording with Eugene Ormandy and the Orchestra was released in 1962. One of Your Philadelphia Orchestra’s favorite guest conductors—and a favorite with orchestras around the world—William Eddins returns to lead this rousing celebration. Order early to reserve the best seats for a joyful holiday celebration with family and friends!

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Philadelphia Orchestra's Glorious Sound of Christmas
Dec
15
7:00 PM19:00

Philadelphia Orchestra's Glorious Sound of Christmas

Performance Details

Jarrett sings selections from Vaughan Williams’ Five Mystical Songs and O Holy Night

William Eddins Conductor
Charlotte Blake Alston Speaker
Jarrett Ott Baritone
Mendelssohn Chorus of Philadelphia
Dominick DiOrio Director

Mendelssohn “Hark! the Herald Angels Sing”
Traditional “Away in a Manger”
Traditional “God Rest Ye, Merry Gentlemen”
Vaughan Williams Selections from Five Mystical Songs
Tchaikovsky/freely arr. Ellington and Strayhorn Selections from The Nutcracker Suite
Various A Charleston Christmas 
Adam “O Holy Night”
Holst “In the Bleak Midwinter”
Tovey “The Rittenhouse Carol”
Anderson Sleigh Ride
Various Medley of Christmas Favorites
Wade “O Come, All Ye Faithful”

You can almost hear the stamping of the reindeer hooves on the roof in these concerts, beloved by fans since the iconic Glorious Sound of Christmas® recording with Eugene Ormandy and the Orchestra was released in 1962. One of Your Philadelphia Orchestra’s favorite guest conductors—and a favorite with orchestras around the world—William Eddins returns to lead this rousing celebration. Order early to reserve the best seats for a joyful holiday celebration with family and friends!

View Event →
Philadelphia Orchestra's Glorious Sound of Christmas
Dec
14
7:00 PM19:00

Philadelphia Orchestra's Glorious Sound of Christmas

Performance Details

Jarrett sings selections from Vaughan Williams’ Five Mystical Songs and O Holy Night

William Eddins Conductor
Charlotte Blake Alston Speaker
Jarrett Ott Baritone
Mendelssohn Chorus of Philadelphia
Dominick DiOrio Director

Mendelssohn “Hark! the Herald Angels Sing”
Traditional “Away in a Manger”
Traditional “God Rest Ye, Merry Gentlemen”
Vaughan Williams Selections from Five Mystical Songs
Tchaikovsky/freely arr. Ellington and Strayhorn Selections from The Nutcracker Suite
Various A Charleston Christmas 
Adam “O Holy Night”
Holst “In the Bleak Midwinter”
Tovey “The Rittenhouse Carol”
Anderson Sleigh Ride
Various Medley of Christmas Favorites
Wade “O Come, All Ye Faithful”

You can almost hear the stamping of the reindeer hooves on the roof in these concerts, beloved by fans since the iconic Glorious Sound of Christmas® recording with Eugene Ormandy and the Orchestra was released in 1962. One of Your Philadelphia Orchestra’s favorite guest conductors—and a favorite with orchestras around the world—William Eddins returns to lead this rousing celebration. Order early to reserve the best seats for a joyful holiday celebration with family and friends!

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Don Pedro de Alvarado / THE INDIAN QUEEN
Aug
2
7:00 PM19:00

Don Pedro de Alvarado / THE INDIAN QUEEN

COMPOSER Henry Purcell

Libretto after the play of the same name by John Dryden and Robert Howard
In a version by Peter Sellars (2013/2016)

CREATIVE

CONDUCTOR Teodor Currentzis

CAST

DOÑA LUISA  Jeanine De Bique Teculihuatzin

DON PEDRARIAS DÁVILA Julian Prégardien

DOÑA ISABEL Rachel Redmond

DON PEDRO DE ALVARADO Jarrett Ott

IXBALANQUÉ Andrey Nemzer

LEONOR Amira Casar

ENSEMBLE

Utopia Choir and Orchestra

Vitaly Polonsky, Evgeny Vorobyov Chorus Master

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Don Pedro de Alvarado / THE INDIAN QUEEN
Jul
31
7:00 PM19:00

Don Pedro de Alvarado / THE INDIAN QUEEN

COMPOSER Henry Purcell

Libretto after the play of the same name by John Dryden and Robert Howard
In a version by Peter Sellars (2013/2016)

CREATIVE TEAM

CONDUCTOR Teodor Currentzis

CAST

DOÑA LUISA  Jeanine De Bique Teculihuatzin

DON PEDRARIAS DÁVILA Julian Prégardien

DOÑA ISABEL Rachel Redmond

DON PEDRO DE ALVARADO Jarrett Ott

IXBALANQUÉ Andrey Nemzer

LEONOR Amira Casar

ENSEMBLE

Utopia Choir and Orchestra

Vitaly Polonsky, Evgeny Vorobyov Chorus Master

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The Prisoner / prisoner of the state
Jul
22
7:00 PM19:00

The Prisoner / prisoner of the state

prisoner of the state

COMPOSER & LIBRETTO David Lang

CONDUCTOR Ludovic Morlot

Barcelona Symphony Orchestra (OBC)

THE CAST

THE ASSISTANT Claron McFadden
THE JAILER Davone Tines
THE GOVERNOR Alan Oke
THE PRISONER Jarrett Ott
CHOIR OF PRISONERS AND GUARDS Orfeo Català

Men’s choir of the the Youth Choir of the Orfeó Català and of the Chamber Choir of the Palau de la Música Catalana

CREATIVE TEAM

STAGE DIRECTOR Elkhanah Pulitzer
ASSOCIATE DIRECTOR Diana Wyenn
ASSISTANT DIRECTOR, MOVEMENT, and CHOREOGRAPHY Miguel Alejandro Castillo
SET DESIGN Matt Saunders
PROJECTIONS Adam Larsen
LIGHT DESIGN, TECHNICAL DIRECTOR Thom Weaver
ASSOCIATE LIGHT DESIGN Yannick Godts
COSTUME Maline Caste
WARDROBE ASSISTANT Noelle Quanci

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Vaughan Williams - Symphony No. 1, "A Sea Symphony"
Jul
16
2:30 PM14:30

Vaughan Williams - Symphony No. 1, "A Sea Symphony"

CONCERT

Alberga: Arise, Athena!
J.S. Bach: Fantasia and Fugue in C Minor, arr. Edward Elgar
Ravel: Concerto in G Major for Piano and Orchestra
Vaughan Williams: Symphony No. 1, "A Sea Symphony"

CONDUCTOR Gemma New

SOPRANO Susanna Phillips
BARITONE Jarrett Ott

PIANO Angela Hewitt

With the OBF Chorus, University of Oregon Chamber Choir
OBF Modern Orchestra

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The Prisoner / prisoner of the state
Jun
4
4:00 PM16:00

The Prisoner / prisoner of the state

COMPOSER & LIBRETTO David Lang

CONDUCTOR Steven Sloane

CAST

THE ASSISTANT Claron McFadden
THE JAILER Davóne Tines
THE GOVERNOR Alan Oke
THE PRISONER Jarrett Ott
GUARDS Darko Neshovski, Tor Lind, Thomas Hildebrandt, Philip Christensson

The men from  the Malmö Opera Choir
Malmö Opera Orchestra

CREATIVE TEAM

DIRECTOR Elkhanah Pulitzer
ASSISTANT DIRECTOR Diana Wyenn
ASSISTANT DIRECTOR & CHOREOGRAPHER Miguel Alejandro Castillo
SET DESIGN Matt Saunders 
PROJECTIONISTS Adam Larsen LIGHTING
DESIGNER/TECHNICAL DIRECTOR Thom Weaver
ASSISTANT LIGHTING DESIGNER/TECHNICAL DIRECTOR Yannick Godts
COSTUME DESIGNER Maline Casta
ASSISTANT COSTUME DESIGNER Noelle Quanci

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The Prisoner / prisoner of the state
Jun
3
6:00 PM18:00

The Prisoner / prisoner of the state

COMPOSER & LIBRETTO David Lang

CONDUCTOR Steven Sloane

CAST

THE ASSISTANT Claron McFadden
THE JAILER Davóne Tines
THE GOVERNOR Alan Oke
THE PRISONER Jarrett Ott
GUARDS Darko Neshovski, Tor Lind, Thomas Hildebrandt, Philip Christensson

The men from  the Malmö Opera Choir
Malmö Opera Orchestra

CREATIVE TEAM

DIRECTOR Elkhanah Pulitzer
ASSISTANT DIRECTOR Diana Wyenn
ASSISTANT DIRECTOR & CHOREOGRAPHER Miguel Alejandro Castillo
SET DESIGN Matt Saunders 
PROJECTIONISTS Adam Larsen LIGHTING
DESIGNER/TECHNICAL DIRECTOR Thom Weaver
ASSISTANT LIGHTING DESIGNER/TECHNICAL DIRECTOR Yannick Godts
COSTUME DESIGNER Maline Casta
ASSISTANT COSTUME DESIGNER Noelle Quanci

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LESCAUT / Manon
May
2
7:00 PM19:00

LESCAUT / Manon

Manon
Jules Massenet

Opéra comique in five acts
Libretto by Henri Meilhac and Philippe Gille
World premiere: 19/1/1884 at the Opéra-Comique (Salle Favart) in Paris
Barcelona premiere: 29/12/1894 at the Gran Teatre del Liceu

Jarrett sings Lescaut

Artistic profile

Stage director Olivier Py

Choreography for this version Daniel Izzo

Set design Pierre André Weitz

Costume design Pierre André Weitz

Lighting Bertrand Killy

Production Grand Théâtre de Genève and Opéra-Comique (Paris)

Cast

MANON LESCAUT: Nadine Sierra 20th,22th,24th,27th,30th April and 3th May

Amina Edris 21th,23th,26th,29th April and 2th May

POUSSETTE: Inés Ballesteros

JAVOTTE: Anna Tobella

ROSETTE: Anaïs MasllorensC

HEVALIER DES GRIEUX: Javier Camarena 20th,24th,27th,30th April and 3th May

Pene Pati 21th,22th,23th,26th,29th April and 2th May

LESCAUT: Alexandre Duhamel 20th,22th,24th,27th,30th April and 3th May

Jarrett Ott 21th,23th,26th,29th April and 2th May

COMTE DES GRIEUX: Laurent Naouri 20th,22th,24th,27th,30th April and 3th May

Jean-Vincent Blot 21th,23th,26th,29th April and 2th May

GUILLOT DE MORFONTAINE: Albert Casals

MONSIEUR DE BRÉTIGNY: Tomeu Bibiloni

INNKEEPER: Pau Armengol

Chorus of the Gran Teatre del Liceu (Pablo Assante, director)

Symphony Orchestra of the Gran Teatre del Liceu

Conductor: Marc Minkowski

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